Відео

Nah, he's been to boot camp...

the bell is missing lacquer, lots of players strip the lacquer off to get a warmer darker tone, especially with a rose brass bell like that

bonebonebone bonebonebone, so does the stripping result in a random pattern that makes the trombone look like it needs to be cleaned? And I can’t see a little lacquer making enough of a difference to be audible to the human ear.

@@ChaplainAcosta it does actually! the petina is what makes it look like that and I've seen some really beautiful ones. and it doesn't make a huge difference in the recording but sitting next to someone the difference is massive, it sounds like a totally different horn.

bonebonebone bonebonebone, I’ve read about these kinds of claims and the fact that you say there is no difference in a recording lends support to the the likelihood that any difference is psychological (that is, subjectively perceived) rather than actual. Have you ever seen any of those vids comparing expensive professional instruments to cheap ones and they switch between the instruments a few times? If you close your eyes, you usually experience no difference between the instruments; but if you open your eyes, somehow they are different. We want to believe our expensive gear must be better than inexpensive gear. But the real difference is the player. I’m not saying poorly made instruments (bad intonation relative to itself, poorly engineered, etc.) don’t play any different than well made instruments. I’m just saying the difference between a so called good student model and a pro model in the hands of a mediocre musician won’t sound appreciably different. The same is true if they were in the hands of a professional musician. In the latter example, the student class instrument will sound amazing if the musician is amazing.

I would agree, the instrument itself doesn’t really matter, except for comfort to the player.

not anymore he plays a getzen/edwards now

無印不良品 最高に上手すぎます

途中の笑い声からして、なんか遊びで吹いてるとかかな？そういうノリで聞こえる。だとしたらうまいやこりゃあ

ZZZZZZzzzzzzzBluebellsofScotlandzzzzzzzzzz

This was an amazing performance. I was in the second row in a small venue. I can highly recommend the Eastern Trombone Workshop (renamed the American Trombone Workshop) held yearly in March at Fort Myer in Washington,DC. I've attended 3 of them. Free access to all events from Wed-Sat. featuring world class trombone performances - jazz, classical, concert etc... Competetions, master classes, performances and nightly concerts all free and amazing. A must do for any brass fan.

+Ian Ferguson r u dumb its meant to be a joke. Notice the dramatic changes in tempo

I think the speed takes some of the beauty from the solo. The main nice slow nsolo is not a comedy act. I do not carre how great he is. As a composer I expect my compositions to be respected!! Carole Paul

@@carolepaul8390 do you have any of the history of this or Arthur Pryor? This is a show piece, first and foremost.

Actually this is prototypically accurate, since Arthur Pryor rushed the hell out of his pieces.

you sure this is in major?

the tonal center is F, but overall I would consider the work strongly modal and freely tonal. The beginning of the last section has a tonal center of G (and imho is my favorite part of the work), but it goes back to F modal for the end.

О его звуке трудно судить по этой записи, она некачественна. Я вообще не его поклонник, но должен признать, что интонационная чистота его двойного стаккато впечатляет. И, конечно, тембр в пассажах НИКОГДА не будет таким же чистым и объёмным, как в медленном движении. Увы!

Please don't do that. Your Trombone has so much to live for.